My Young Man

Portrait of a Young May, Andrea del Sarto, 1517
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This poem was written as part of a workshop on Ekphrasis – writing poetry based on an image/artwork. My inspiration for this was the image above, Portrait of a Young Man by Andrea del Sarto, 1517. (from the National Gallery, London).

I am here to visit My Young Man
Well, not mine, exactly
Andrea del Sarto’s.
And I suppose he’s not that young
having been completed in 1517.
He does not look his age.

The colors that surround him are dark and rich.
I don’t know enough of 16th Century clothing
to know whether he is dressed
as Peer or Pauper.
But his garments are beautifully rendered,
the tiny pleats in the white shirt
Those voluminous and slightly wrinkled grey sleeves.
This attention to fabric is no surprise.
The artist’s father was a tailor.

Illumination seems to come from a small, high window
Light falls upon his face and left shoulder
It is a strong face, not a man to be trifled with
(It is occsionally rumored to be an image of the Artist himself.)

My Young Man is busy each time i visit.
He holds a book, but the pages appear blank.
He looks at me as if to say
“What do you want NOW?”
He freely shows his exaperation
Is that why the book is blank?
Because I keep interrupting him?
His frustrated gaze connects with me
in a way no other portrait has.

There is something contemporary about his resentment.
He is the Art Student in the museum, repeatedly asked
“What are you drawing?”
He is the Engrossed Reader
endlessly interruped to answer
“What are you reading? Is it any good?”

Strangely, it is this vexation with
his fellow man I respond to.
That makes him seem as rooted in the present day
as in the days he was painted.

Annoyance, it seems, is eternal.

The Last Letter

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This poem was written as part of a workshop on Ekphrasis – writing poetry based on an image/artwork. My inspiration for this was the image above (from the Australian War Memorial).

Oh, my boy
My dear, dear boy

This war sent you
so far away from me that
Your last letter,
Posted months ago,
arrived only today.

Mr Baker stopped me on my way
to the shops this morning
He knew how eagerly
I await your letters
and he had one in his bag.

I stood there, shaking, while he searched
through his satchel, overflowing
with holiday greetings.

He presented your letter with a smile.

I thanked him.

I did not have the heart
to tell him he’d just
delivered a letter
from a ghost.

I received a letter
from your friend last month.
He told me how you’d been injured,
how you hadn’t survived

This Last Letter
written a few short days
before you died
is Extraordinary
in its very Ordinariness.

You asked me for socks.

How I know my boy
Your feet were always cold
I had started a pair of socks to send you
Only a few days before
I got the news.

My knitting needles were my weapons.
If I could get those socks on your feet,
I lied to myself,
Nothing could penetrate the shield
of a mother’s love.

I did not knit fast enough.

I could not knit fast enough.

Lovell Telescope, Jodrell Bank

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or, What Carol Saw From the Train, Part the Second

This poem was written as part of a workshop on Ekphrasis – writing poetry based on an image/artwork. My inspiration for this was the Lovell Telescope at Jodrell Bank.

Outside it is a perfect Saturday morning.
Inside this teeming train car, the
tensions of the work week have dissipated,
others arise to take their place.

There are babies crying
Fractious children ignoring their parents’
Shouted instruction to ‘sit their arse down!’
12B is on her phone,
starting her journey with an argument.
She is encouraged in this by the…committee of vultures
she travels with, who await with glee
the chance to pick over the carcass of her
soon-to-be-failed relationship.
(Frankly, if he DID “look at” your friend last night, Jessica
I can’t say I blame him.
You are a flippin’ nightmare.)

The front of this car is
filled with footie fans.
They boarded well-oiled.
Repeated sounds of tinnies being opened.
Inebriation does not wane.
Increasingly slurred chants of
“Could be worse, could be Scouse
Eating rats in your council house”
Man United must be playing Liverpool today.
When not denigrating their rivals to the west,
they tell boastful (and certainly untrue) stories
of their conquests,
using language no virgin,
or in this case Virgin Train,
should be subjected to.

How I envy you the Blissful Quiet
of your surroundings!
That peaceful expanse of green fields.
The complete lack of ANY
mobile communication.

When I am lucky enough
to actually stand before you, even
My voice automatically hushes
to a whisper.

I want to hear what YOU hear.

You were the first to track Sputnik,
to follow that miraculous man-made machine
as it hurtled through the Heavens.
You were there to capture Neil Armstrong’s words,
Indeed his very voice,
on that historic night.
Your brilliantly, blindingly, beautifully white dish
hears the echo of the Big Bang.

You do not Judge.
You simply Receive.

And it strikes me, despite the fact we were the ones
who brought you into Being,
Just how trifling we are in our humanness.
How inconsequential we must seem to you in comparison,
Because you?

You listen to Time Itself.

******************************************************** English→American
  • Footie fans – soccer fans
  • Tinnies – cans of lager
  • Scouse – people from Liverpool, the Liverpudlian accent (The Beatles were Scouse)
  • Man United – Manchester United, MAJOR soccer team
  • Virgin Trains – one of the major railway companies in the UK

B of the Bang

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or, What Carol Saw From the Train, Part the First.

This poem was written as part of a workshop on Ekphrasis – writing poetry based on an image/artwork. My inspiration for this was a sculpture by Thomas Heatherwick called B of the Bang.

It is sacred
The moment Before
Nothing exists except
     The Breath
     The Energy
     The End Point

The Breath
     Controlled, focussed – anchoring the Now

The Energy
     Coiled, straining – aching to break free

The End Point
     One hundred meters ahead – not far at all
     And a Life’s ambition away

The Silence holds…holds…

And then…

IGNITION

PAROXYSMofMovementDETONATIONfreesHungerHungerPROPELSbody.
ChemicalsMusclesCOMBUSTInfinitudeofMinuteReactions
FueltheDrivetheThirsttheCravingforSPEED

Tenseconds.

Almostbeforetheecho of the starting Blast has f a d e d 

It is done.          

Christmas?

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My microphone sits, silent
I’ll break if I try to speak
Thoughts of Christsmases wound me
My control of my feelings is weak.

It’s been 30 years, more than,
I still want it not to be real
No matter the years that are passing
This is one hurt that just will not heal

So many stories that I want to tell
To keep your memory afloat
So many words that yearn to break free
Can’t escape from my paralysed throat

So I cuddle thoughts of you to me
I’ve a sweater of yours I still wear
When I need to feel you close by me
And I can pretend that you’re there

Island At the Edge of the World – her story

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This piece was inspired by a song called ‘Island At the Edge of the World‘ by Ninebarrow. It is a song I absolutely love – it mesmerised me from the first time I heard it. The singer rows the departed to the Island at the Edge of the World, where their spirits will spend eternity. On this trip, the passenger is his lover.

I wondered what was going through the mind of his lover on her journey, and this piece is the result.

I know what will happen. How it is arranged. It does not happen how he thinks.

He has explained it to me – how he feels the tug towards the shore when the boat appears. How  the The One Who Has Been Called is already in the boat when he arrives. How at peace they are once their spirits reach the Island At the Edge of the World.

But he does not understand.

I do…now.

Because I am the one waiting in the boat.

He does not yet know I have been Called by the Divine. I do not want to see his face when he realises. I do not want to feel the touch of his lips knowing that it is the last time.

He has made this journey a thousand times before – but this time he will learn the truth.

He thinks it is arriving at the Island that brings our spirits peace. “It’s a green and pleasant land, my love,” he reassured me once. “When they arrive, it’s as if they can finally lay their burdens down, and they are at peace.”

He thinks he is simply ferrying us to the Place of Peace.

He does not know.

It is not the Island that brings peace.

It is the journey.

He has told me that the waters can be beautifully calm. He has told me that the waters can be treacherous. He has told me that he can never know what the waters will be like.

He does not understand that the waters depend on his passenger.

Because the waters wash everything away.

But first, they bring everything back.

In the beginning of the journey it is the bad things – every fear, every bit of anger, every instance of jealousy and envy and torment. Every time we were mean or vicious is brought back and relived. We must see what we were.

Then it is our failures – those times we could have helped, could have eased another’s suffering, could have made someone else happy – and we chose not to. We must see what we were.

Then grief – all of our sorrow for those gone before, for those we failed, will come back and it will be like it is new again. We must feel it all again. We must see what we were.

Then we relive every moment of joy. Every moment of laughter. Every time we did help. Every person who is better because they knew us. We must see what we were.

As we relive all of this it is burned away and disappears – forgotten. To us, it is like it never happened.

Eventually all that is left is love.

We feel all of the love in our lives in a single instant – everyone we have ever loved, everyone who has ever loved us – it overwhelms us, and soothes us, and reminds us that we mattered. We must see all that we were.

But that too disappears. There can be no peace if we are missing those we love.

This is what he does not understand. We are at peace when we reach the Island, because there is nothing left.

But he will understand soon.

Unlike other times, this time he will be watching his passenger.

He will have to watch the fear and the anger consume me, without understanding what is happening. But I must see what I was. He will be relieved when it passes.

He will see my torment as I feel the shame and despair of my failures. He will hate that he is unable to help me. But I must see what I was. He will be relieved when it passes.

He will just begin to understand when the grief takes me over. He will know he cannot help. He will hope that this passes quickly. It will not. But I must see what I was.

The joy will be easier for him. It will ease his mind to hear me laugh, see me smile. He will think that this is the end. It is not. I must see what I was. He will be sorry when the joy passes.

Then he will see the love in my eyes as I look at him – and he will know.

I will look deeply into his eyes and he will see everything he has meant to me, every joy he has brought me, how he made me happy, how he made me better.

Then he will realise that this will not last, either.

I know him. He will not look away, even as he finally understands what he will see.

He will watch as my love for him fades from my eyes as he fades from my consciousness.

He will watch as everything that made me who I was drifts away.

He will watch as he becomes nothing to me.

I cannot bear to think of how this will hurt him, and I pray to the gods that I now know do not exist to spare him this.

*******

My prayers were answered.

He did not have to watch my love fade – because it did not.

I am on the Island At the Edge of the World, but I have no peace.

I am the only consciousness here.

He returns often. There will always be Those Who Have Been Called.

He never looks for me. He knows he cannot see me.

But I see him.

I will spend my eternity here on this shore, waiting to see him.

Pen Stories

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This series began when I purchased a fountain pen – a very particular fountain pen, that bears a striking resemblence to the pen in the words below. I DID think it looked like a Hubble photograph, I DID think there were worlds contained in the pen, and I DID think of the stories that could be contained in those worlds. That is why I bought the pen.

Everything else is pure, absolute fiction…..except for the fact that the pen did inspire these stories…

Part One

“It looks like a lava flow from an erupting volcano.”

“No, it looks like oil on water, the way it swirls.”

Abby stepped closer to catch a glimpse of the object under discussion, the acrylic of its body a kaleidoscope of orange and yellow and purple. There was something unusual about this one.

“It’s a Hubble photograph.” The conversation stopped as the focus moved to Abby. She reached out a finger, mesmerised by the swirling pattern.

“There are universes in that pen,” she whispered softly. Only the man behind the table heard her. He smiled. He’d known when he was making the pen that it was meant for someone in particular. He had a feeling the chosen person had just appeared. He watched as the pen rolled, ever so slightly, until it rested against Abby’s finger.

Abby’s eyes widened at the slight movement. She must have imagined it, just as she was imagining the warm tingle at the fingertip where the pen was touching. She stared at the pen, and the colours intensified, the pattern seemed to have more depth than before.  Unable to resist, she picked it up.

As soon as it was in her hand, things started to happen. The warm tingling at her fingertip enveloped her whole body. The colourful, but static, swirls came to life. Abby stared at the pen, feeling it grow warm, watching the colours ebb and flow as the pictures changed.

There were words swirling through Abby’s head to match the colours swirling through the pen.

“Stories.”

Abby didn’t realise she’d spoken out loud until she felt everyone’s eyes on her.

“There are stories in this pen.”

The others smiled and moved on to other tables.

The voices still filling her head, Abby looked at the  man who’d made this remarkable pen.

“The pen says if I take it home, it will tell me its stories. There are so many. So many worlds in the pen, and so many stories in each world.”

Abby looked at the man.

“Am I mad?”

“I don’t know you well enough to offer an opinion,” the man said. “But I knew when I was making that pen that it was meant for only one person. That person is obviously you.”

Abby nodded and reached for her purse. The pen was going home with her. It had spoken to her. She’d heard its voice, or voices, as it sounded like many voices speaking in unison. They were real to her. If she left the pen, she’d feel like she was abandoning them.

Part Two

She opened her eyes so that she would stop seeing them. All the words. So many words. Too many words.

Every time she closed her eyes the words came at her, some meandered through, some came charging at full speed. Some snuck by, hiding at the edges of her perception. Some planted themselves front and centre – demanding notice.

She actually found herself ducking to avoid being hit by one particularly pesky word that dive bombed her on occasion.

When she opened her eyes, she stopped seeing them. But she could still FEEL them. If it was very quiet, she sometimes thought she could hear them.

The words had started when she brought home that pen. She’d tried writing with the pen but the words came so quickly they were jumbled. It was trying to tell all its stories all at once, but it made no sense.

She picked up the pen again, and the clamour grew louder, the chaos more pronounced.

“That’s enough!” she said out loud, feeling foolish. “When you throw so many words at me, I can’t connect the right ones. Nothing makes sense. You’ve got to stop for a moment. Please!”

The clamour in her head receded.

“I know you have stories to tell. I brought you home so that I could tell your stories. But I can’t do it all at once. If you all talk at the same time I will go mad, and then I’ll start taking medication, and then I won’t hear you at all.”

The words suddenly disappeared altogether.

“Thank you. I’ll make a deal with you. I will write all of your stories. I promise.” She felt the wave of excitement. “But in return you have to agree to not talk all at once. And you need to leave me some time when you don’t talk at all.”

She felt the grumbling, and then the agreement.

“Now, I need for you to decide who tells me the first story. Think about it and let me know when you’ve decided.”

The maelstrom of words erupted again.

“Stop!” Once again there was peace. “I meant talk amongst yourselves. I don’t need to hear this. Come back to me when you’ve chosen.”

The noise began again, but became progressively quieter, as if those speaking were moving away.

Abby sighed in relief.

If they could learn to play nicely, this might work after all.

Part Three

Abby tossed and turned on the sofa, as though unable to get comfortable. But it was her mind that was unable to settle.

Her body suddenly went slack, as though the mind animating it had left the premises.

Had anyone been in the room, they might have glimpsed, out of the corner of their eye, a ripple in the air, as though someone had walked by. They would have dismissed it as a trick of the light. They would have refused to see the ripple when it crossed back to the bed, to Abby, who stirred for the first time in an hour.

Abby rose, disoriented, as she hadn’t intended to sleep. The sleep had not been restful.

As she crossed the room to go into the kitchen, her eye caught sight of the desk, where she was supposed to write, but hadn’t lately. She walked slowly toward the desk, her heartbeat pounding, her skin growing cold.

The pen was on the desk. The pen she hadn’t used in over two weeks was on the desk. The pen which always lived in its suede pouch, in its presentation box, in the desk drawer, was sitting out on the desk.

Under the pen was a sheet of paper filled with handwriting the Abby recognised as her own. But the words were not hers, could not be hers.

Abby picked up the paper and her hands started to shake as she read:

“I stood there, staring at the pen. I could feel it reaching out to me. I was a bit afraid of it today, actually. Pens in my experience do not behave like this. Pens do not behave at all.

But this pen was…..humming. As I drew nearer, my hand began to throb and I watched in wonder as my fingers reached out towards the pen.

My hand grew hot and as I touched the pen, the room disappeared.

At first it was black and then gold and then red – I was dizzy from the rapid flash of changing colours.

Slowly, as my eyes adjusted to this strange red-orange world, I saw to my left a plinth. It was the size of a building and it was covered with roses. As I watched, the roses burst into flame. They glowed, but they did not burn. The odd flame grew and grew until the plinth itself was a torch.

As it continued to burn, a river moved towards me. It was yellow and green and it moved swiftly and it was not made of water. The river flowed towards me, and then past me.

In the rush of its movement I could hear music, it was the humming I’d heard from the pen, but infinitely more melodic. Floating across the surface of the steady hum I could make out ripples of melody. Some promised secrets, some knowledge, some joy and some pain. Most sounds I heard, but some sounds I could only see.

Some skimmed along the surface. Some sank and bobbed up again downstream. Some got caught in the eddys of the flow and went round and round upon themselves.

And then I saw Her.

She was magnificent. She was naked, with the sun in her hand and the tiger at her heel.

She danced upon the flow of Power and Time.

She took strength from the river, and left the river stronger in her wake.

She was the cause and the effect.

No one who saw her could remain the same and live.

As she passed me she clasped my hand, my burning hand, and took me with her.

I felt myself die. And I felt my soul rise up, cleansed, stronger, and ready to begin again.

She smiled at me and released my hand and as she disappeared I found myself back in my room, holding the pen which was the river.

I sobbed with relief and desolation.

And hope.”

Abby let the paper fall from her fingers as she backed away from the desk.

Where had those words come from? She knew she hadn’t written them. But there was a strange…echo…of recognition as she’d read them that terrified her.

She forced herself back to the desk, having to concentrate on her movements as her trembling hands returned the pen to its box. This time she placed the box in the main drawer, which she locked for the first time ever.

Part Four

“I knew what it would be like.”

The voice startled Abby. Mostly because she was alone in the house and the words had not come from her.

“I knew what it would be like,” the voice repeated. “That’s why I didn’t want to go.”

Abby sighed and put down her book. The voice had appeared in her head, as it always did. It seemed the denizens of the pen had decided whose story was the next to be told.

It had been months since her last experience with the pen. That had disturbed her, frightened her and she had stayed away from the pen since.

Apparently the pen was tired of waiting.

She would have to fill the pen – the last experience with the pen had drained it, though she’d not written a word.

She opened the drawer that held her inks and reached for her standby bright blue.

She felt, rather than heard, the disappointed sigh. She watched as her hand replaced the blue ink.

“Purple, please,” said the voice in her ear as her hand reached to the back of the drawer for a bottle she’d yet to open.

“Purple it is,” Abby replied.

As she dipped the nib into the amethyst liquid, she could feel the pen quiver with excitement. She got a mental image of Jessica Rabbit sinking down luxuriously into a clawfoot tub filled with purple ink, and grinned.

When the pen was filled and the ink put away, Abby reached for the leather-bound notebook that held her ‘pen stories’ as she called them.

“Right,” Abby said out loud. “I’m ready.”

There was silence, except for the sounds of splashing as Jessica ran a sponge up one arm and then the other. Her skin was taking on a decidedly lavender tinge.

“You knew what it would be like…” Abby prompted.

“I did. I knew it would be horrible before I went through the door. I didn’t want to go, but I couldn’t stop myself. Something was making me go into that room. That sad room.”

“It should have been beautiful – it had been beautiful once. But the high ceilings were covered in cobwebs, the large, lovely windows were too dirty to let in anything but the dimmest light. Those windows turned even the sun’s glorious light small and grey – and heavy. That grey light seemed to weigh everything in that room down. And the room was filled to bursting. Things that had been beautiful once were covered in dust and clutter. They seemed ready to weep for what had been possible.

“I wiped a spot on one window clean, and the sun poured in. A beautiful white flower began to grow in the sunbeam, but the window was dirty again in a few minutes. The flower lost strength when the light was gone, and soon it was just another dead hope in the room.

“That poor flower…”

“As my eyes adjusted to the dimness, I began to recognise things. And people. Every stupid purchase I’d ever made, everything I started and didn’t finish, everyone I’d ever let down. It was awful.

“And then it got worse. Because a silent film began to show on one grimy wall – it showed me everything that could have been. Everything I could have been, everything I could have accomplished, all those people who could have been better off for knowing me, but weren’t.

“When the film ended, I was left with the full understanding of all I hadn’t done.

“It was a room full of my failures. It was a room dedicated to wasted potential.

“And now I’m here – and I don’t know how to fix anything. I don’t know how to make anything better. All I can do is realise what I really am.”

Suddenly the figure in Abby’s mind stood up in the tub, the purple ink running down her body. The vivid red hair seemed to be alive as it whipped around her head. She pointed at Abby, and Abby’s field of vision was suddenly filled with Jessica’s eyes.

“Don’t you dare do what I did – DON’T YOU DARE!” Jessica’s gaze was intense and Abby felt pinned to her chair, the pen in her hand flying across the paper as the words poured out of Jessica.

“I know the last time frightened you, but don’t give up. We have to do what frightens us, that’s how we grow. I know that now that it’s too late. But I will not let you waste your life out of fear.”

The terrifying gaze retreated and Abby could breathe again.

“You must keep writing, dear,” Jessica said simply. “There’s nothing else to be done. It is why you’re here. It is how you fulfil your purpose.”

“But how do I find my purpose?” Abby cried. “I don’t  know what it is or where to look.”

“You can only find your purpose by doing. Hiding does nothing positive in the world. Standing still helps no one, least of all you. We’ll help all we can, we’ll tell you our stories and what we’ve learned. But you must keep moving, dear. You must be ready when it comes. Ripeness is all.”

Abby felt a hug, and then she was alone once more.

Autumn

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“Fall”

“Autumn”

These words conjure a feast for my senses:

The crisp cold of the air

The crunch of dried leaves

The smoky smell of the first fire of the season

The tang of a newly ripe apple

And the colours – oh, my…the colours

A sky so intensely, brightly blue it hurts to look at it

The pure blinding white of the clouds

The golden, syrupy blanket of sunlight that covers everything – a light that only appears at this time of year

And, of course, the leaves

Startling yellow, zesty orange and vivid scarlet – one second they are themselves, separate. The next they blend to create a coat of many colours to hold the last bit of warmth to the earth.

I love these colours.

I miss these colours – they don’t happen here in the same way. It’s the only thing, other than my family, that I miss about the place of my birth. I need those colours – so much so I had them tattooed on my body to always keep them with me.

But look closely.

Not all leaves take on the colour. Many simply give up – they die, turn brown while still on the tree, just waiting for the gust of wind that sends them to the ground to be trampled underfoot.

All leaves will eventually fall – but some “do not go gentle into that good night.”

They can feel the end coming, they know the time remaining is fleeting. But they choose to celebrate.

They celebrate that they’ve reached this far. They celebrate that they were here at all.

They tire of being the same green as every other leaf and show their true colours.

And so it is with people. Some get to that age that, to them, means they’re ‘old’. And so they become old. They go into a holding pattern, seemingly just waiting for the end.

But others choose to “rage against the dying of the light”. They become more themselves than they ever were before. They study what interests them instead of what will ‘make a good living’. They do what they want rather than what they should. They may even choose to look at their grey hair and see it as a clean base for pink or purple, instead of as the first sign of impending doom.

This, I have come to realise, is the real meaning behind my autumn leaves tattoo – it’s not just the pretty colours. It is a visible, indelible sign of my determination to live this part of my life to its fullest, to show and throw my colours to the wind and say “fuck’em if they can’t take a joke”.

(Many thanks to Jesse at Studio 78 in Crewe for his amazing work.)

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Halloween

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We were asked to choose one from a number of paintings and write about it. I chose a Lowry painting: Ancoats Hospital Outpatient’s Hall

“Next!”

The elderly couple rose from the long bench where they’d sat patiently waiting their turn. The figure in the white coat looked frustrated and overworked as he ushered them into the office, brusquely motioning to them to take a seat. It was a very busy time for this department – amateur hour, he called it privately, and the previous interviewee had gotten on his last nerve. He was so ready for his shift to end.

“Right – names?”

“Frances and Oliver Wadsworth,” the old woman replied.

“How long have you been dead?”

“27 years for me.” She reached over and took her husband’s hand. “Oliver’s only been dead a few months. He’s not used to things yet.” She smiled at her husband and squeezed his hand.

The man behind the desk’s face softened fleetingly, and then grew stern again.

“I’m sure you realise that this is our busiest time of year. Sometimes I think that everyone who’s ever died tries to get a pass to go back for Halloween. We have to be very strict these days. It seems everyone in the world has a camera and it would never do to have a photograph of a visitation get on the Internet.” The couple looked at him blankly. “The Internet,” he explained, “is a pretend place where people go to talk to strangers so they can avoid talking to people they actually know. I don’t understand it either.”
“Anyway,” the man continued, “because of the huge demand at this time of year we have to be very careful and delve a little deeper into your reasons for going back. And don’t try to lie. We can tell that sort of thing here, and it doesn’t look good on your record. Or mine, if I let you through. You wouldn’t believe the number of people who try the old ‘a loved one is passing and I’d like to be there to welcome them’ line. Silly sods don’t realise that when it’s time for something like that, we find you. The real story ends up being that they want to go back and frighten an old enemy, or a golfing buddy, or the best friend who passed their trifle recipe off as their own after they died. The Afterlife,” the man stated clearly, “is full of assholes.”

“Not so different from life, then,” said Oliver, who then looked surprised, as if he hadn’t intended to speak.

The man behind the desk laughed.

Frances kissed Oliver on the cheek and looked at the man with a broad grin. “Oliver’s first words on this side,” she explained.

“I am honoured to have been here to hear them. In all my years here, it’s the first time I’ve been present for someone’s first words.”

The man moved to the door of the office, turned the sign in the window to CLOSED, and pulled down the shade.

“Hang protocol – let’s just have a nice visit. Now, tell me your story. Why do you want to go back now?”

Frances said simply, “Our granddaughter can’t sleep.”

The man was not expecting that answer. “Go on.”

Frances continued, “My littlest granddaughter is four and a half years old. She is frightened of Halloween and she is up all night with nightmares.”

The man nodded. “And how can you help?”

“She used to sleep very badly as a baby. My poor daughter was so exhausted. So – I started to go back at night. I’d sit in the room with the baby and sing to her when she started crying. She always slept much better when I was there. I stopped going back when she started sleeping better on her own.”

“And you think you can help now? Won’t you scare her? What if she doesn’t remember you?”

“My daughter talked about us a lot. Ariana, that’s our granddaughter, has told mer mother ‘I miss Nana Fran’, even though I died many years before she was born. I think I can help.”

**************

In the small kitchen filled with the remains of the Halloween candy she’d given out the night before, the woman poured the water into the coffeemaker and pressed the magic button that would make the all important ‘first cup of the day’. Maybe things were getting better, she thought. She’d been expecting a night filled with screams and night terrors. Her young daughter hated Halloween and never managed to sleep the night through.

But last night was different. She’d checked on Ariana several times – but she was always peacefully asleep with a smile on her face – her hand stretched out as if holding someone’s hand.

Thank god!

When she couldn’t sleep as a child, her mother had always sung to her – but for the life of her she couldn’t remember the song.

She heard the clatter of little footsteps which meant her Ariana was awake.

“Good morning, pet! How would you like cinnamon toast for breakfast?”

“Yes, please!” The woman set about making her daughter’s breakfast. She listened as her daughter hummed under her breath.

“What are you singing?” she asked.

“The lambyivy song.”

“How does that go?”

“Mares eat oats and does eat oats and little lambs eat ivy…”

The woman stared at the child. That was the song she’d been trying to remember. Her mother’s song.

“Where did you hear that?”

“Nana Fran sang it to me.”

“When?”

“Last night. Whenever I got scared, she’d hold my hand and sing to me until I wasn’t scared any more.” The little girl sighed. “She sang a LOT. Then she kissed me and I waked up and it was today. Oh! I almost forgot!”

Ariana took her mother’s hands and tugged until her mother’s face was level with her own. The woman’s eyes filled with tears as Ariana solemnly placed her tiny hands on either side of her mother’s face. She kissed one temple, then the other, and then placed a kiss in the centre of her mother’s forehead. Exactly as her own mother had done every night of her childhood, and sometimes after.

“Nana Fran told me to do that.”

The woman hugged her daughter tightly and then watched as she happily sat munching her cinnamon toast.

“Thank you, Mom.”

The Princess Petunia

Standard

Jess was incredibly excited. She had never had a new car before. In fact, she’d never had a car that she had picked out for herself. She was fairly bouncing out of the chair while she filled out the paperwork and happily handed over the remainder of the deposit. She couldn’t stop smiling the whole time she was being shown what all of the knobs and buttons on the dashboard were for. That brilliantly, gloriously yellow dashboard.

It had taken her a few tries to get the car moving, getting used to a new clutch had never been her favourite thing. But all was well now.  She and this car were going to get along just fine.

She was sure that the people at the dealership thought she was daft. They certainly smiled at her the way you smile at people who are….shall we say….not all there. That was probably due to her bright pink hair. Thank god she had never told them what she’d named the car! They would have had her committed, she was sure.

Jess said the name out loud.

“Princess Petunia Anastasia Octavia Tallulah Belle of the Sunshine State of Mind – what do you think of that, hmmmm?”

“Ooooo…..I like it a lot! I never thought I’d be royalty!”

Jess nearly drove off the road.

“You’re Irish?”

“Seriously? That’s your first question? Your new car has just talked to you and you want to know about my accent?”

“I…I just thought you’d be Italian…you know…being a Fiat and all….”

“Could have gone with any voice I wanted, really. But as soon as you walked through the door and I realised that you were mine, something inside said….Irish.”

“Why?”

“Don’t know, didn’t question it. Why? Would you prefer a different voice?”

“I….hadn’t…really…thought about it.”

“Of course not. We’ve only been together 20 minutes, if my clock is right, which it is. Well, you think about it and if you’d like me to change, let me know.”

“Oh, no. I mean, now that I’ve heard your voice, anything else wouldn’t seem right, somehow.”

“That’s what I thought too, but, you know, I had to ask.”

“Of course.”

Jess drove in silence for a while. She noticed a little up arrow flashing on the speedometer and shift up a gear.

“Thank you.”

“You’re welcome.”

“I must say, you’re taking this awfully well.”

“Thank you.”

“You’re welcome.”

 “Yes. Much better than the others.”

“Others? You’ve spoken to other people?”

 “Not me, myself, no. But others of my kind occasionally speak to others of your kind. It doesn’t always end well. In fact, it usually doesn’t end well…”

“How so?”

“How so, what?”

“How does it not end well?”

“Oh, well, sometimes there are accidents.”

Jess remembered her initial reaction when she’d heard first heard the car speak.

“I can believe that.”

“Mostly people get a bit freaked out. End up on medication or in therapy. Sometimes we get sold on. That’s painful. When you’ve been with someone for years and the first time you speak you get sold off.”

“You mean you don’t always speak up right away?”

“Mostly we don’t speak up at all. And those of us who do usually wait a few years, until we’ve got to know our companions.” Jess felt the car sigh.

“That must be a very lonely existence.”

“It can be,” the car agreed. “Of course, we can communicate with the others of our kind. But it is the dream of all of us to have a mate that we can adventure with, who considers us the way we consider them.”

“So….all Fiat 500s are…like you?”

 “Of course. When you read what they write about us in the newspapers and magazines, what word keeps coming up?”

“Personality.”

“Well, there you are then. Those who choose us are drawn to the personality as much as the vehicle. It’s just that most are not quite ready for how much….personality….we actually have.”

“So why speak to me right away? Weren’t you afraid I’d sell you?”

“As soon as you walked in the dealership, I was hoping you were mine. You had a nice look about you, and I loved your hair.”

“Thank you,” said Jess, oddly pleased that her car approved of her. Which was, quite frankly, insane. Jess realised this. Jess didn’t care.

“Then, when you first got in, you stroked my dashboard.”

“I had to,” Jess said. “It’s just so….YELLOW!”

“And the fact that you wanted yellow – that no other colour would do. Anyone who insists on such a bright colour is not looking for silent transportation. The individual who picks yellow is looking for adventure.”

“Oh yes, please!”

“But there was still one thing in question. I told myself I would not speak until that question was answered.”

“And that question was answered?”

“As soon as you spoke to me, out loud, and told me your name for me. ‘Princess Petunia Anastasia Octavia Tallulah Belle of the Sunshine State of Mind’ ? That’s fuckin’ daft, that is.  And anybody who would give a little car like me a name like that has to be fuckin’ daft as well. That’s when I said to myself, I think she’ll be alright this!”

That pleased Jess more than it should have.

“However, if you would prefer that I just keep silent and pretend to be a normal car, I will.”

Jess laughed. “Now what would a “fuckin’ daft” woman like me want with a normal car? You’re stuck with me, Petunia.”

Petunia made no reply, but the radio suddenly came on and Jess started singing along –

“Because I’m happy, Clap along if you feel like a room without a roof…Because I’m happy….”