My Young Man

Portrait of a Young May, Andrea del Sarto, 1517
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This poem was written as part of a workshop on Ekphrasis – writing poetry based on an image/artwork. My inspiration for this was the image above, Portrait of a Young Man by Andrea del Sarto, 1517. (from the National Gallery, London).

I am here to visit My Young Man
Well, not mine, exactly
Andrea del Sarto’s.
And I suppose he’s not that young
having been completed in 1517.
He does not look his age.

The colors that surround him are dark and rich.
I don’t know enough of 16th Century clothing
to know whether he is dressed
as Peer or Pauper.
But his garments are beautifully rendered,
the tiny pleats in the white shirt
Those voluminous and slightly wrinkled grey sleeves.
This attention to fabric is no surprise.
The artist’s father was a tailor.

Illumination seems to come from a small, high window
Light falls upon his face and left shoulder
It is a strong face, not a man to be trifled with
(It is occsionally rumored to be an image of the Artist himself.)

My Young Man is busy each time i visit.
He holds a book, but the pages appear blank.
He looks at me as if to say
“What do you want NOW?”
He freely shows his exaperation
Is that why the book is blank?
Because I keep interrupting him?
His frustrated gaze connects with me
in a way no other portrait has.

There is something contemporary about his resentment.
He is the Art Student in the museum, repeatedly asked
“What are you drawing?”
He is the Engrossed Reader
endlessly interruped to answer
“What are you reading? Is it any good?”

Strangely, it is this vexation with
his fellow man I respond to.
That makes him seem as rooted in the present day
as in the days he was painted.

Annoyance, it seems, is eternal.

The Last Letter

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This poem was written as part of a workshop on Ekphrasis – writing poetry based on an image/artwork. My inspiration for this was the image above (from the Australian War Memorial).

Oh, my boy
My dear, dear boy

This war sent you
so far away from me that
Your last letter,
Posted months ago,
arrived only today.

Mr Baker stopped me on my way
to the shops this morning
He knew how eagerly
I await your letters
and he had one in his bag.

I stood there, shaking, while he searched
through his satchel, overflowing
with holiday greetings.

He presented your letter with a smile.

I thanked him.

I did not have the heart
to tell him he’d just
delivered a letter
from a ghost.

I received a letter
from your friend last month.
He told me how you’d been injured,
how you hadn’t survived

This Last Letter
written a few short days
before you died
is Extraordinary
in its very Ordinariness.

You asked me for socks.

How I know my boy
Your feet were always cold
I had started a pair of socks to send you
Only a few days before
I got the news.

My knitting needles were my weapons.
If I could get those socks on your feet,
I lied to myself,
Nothing could penetrate the shield
of a mother’s love.

I did not knit fast enough.

I could not knit fast enough.

Lovell Telescope, Jodrell Bank

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or, What Carol Saw From the Train, Part the Second

This poem was written as part of a workshop on Ekphrasis – writing poetry based on an image/artwork. My inspiration for this was the Lovell Telescope at Jodrell Bank.

Outside it is a perfect Saturday morning.
Inside this teeming train car, the
tensions of the work week have dissipated,
others arise to take their place.

There are babies crying
Fractious children ignoring their parents’
Shouted instruction to ‘sit their arse down!’
12B is on her phone,
starting her journey with an argument.
She is encouraged in this by the…committee of vultures
she travels with, who await with glee
the chance to pick over the carcass of her
soon-to-be-failed relationship.
(Frankly, if he DID “look at” your friend last night, Jessica
I can’t say I blame him.
You are a flippin’ nightmare.)

The front of this car is
filled with footie fans.
They boarded well-oiled.
Repeated sounds of tinnies being opened.
Inebriation does not wane.
Increasingly slurred chants of
“Could be worse, could be Scouse
Eating rats in your council house”
Man United must be playing Liverpool today.
When not denigrating their rivals to the west,
they tell boastful (and certainly untrue) stories
of their conquests,
using language no virgin,
or in this case Virgin Train,
should be subjected to.

How I envy you the Blissful Quiet
of your surroundings!
That peaceful expanse of green fields.
The complete lack of ANY
mobile communication.

When I am lucky enough
to actually stand before you, even
My voice automatically hushes
to a whisper.

I want to hear what YOU hear.

You were the first to track Sputnik,
to follow that miraculous man-made machine
as it hurtled through the Heavens.
You were there to capture Neil Armstrong’s words,
Indeed his very voice,
on that historic night.
Your brilliantly, blindingly, beautifully white dish
hears the echo of the Big Bang.

You do not Judge.
You simply Receive.

And it strikes me, despite the fact we were the ones
who brought you into Being,
Just how trifling we are in our humanness.
How inconsequential we must seem to you in comparison,
Because you?

You listen to Time Itself.

******************************************************** English→American
  • Footie fans – soccer fans
  • Tinnies – cans of lager
  • Scouse – people from Liverpool, the Liverpudlian accent (The Beatles were Scouse)
  • Man United – Manchester United, MAJOR soccer team
  • Virgin Trains – one of the major railway companies in the UK

B of the Bang

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or, What Carol Saw From the Train, Part the First.

This poem was written as part of a workshop on Ekphrasis – writing poetry based on an image/artwork. My inspiration for this was a sculpture by Thomas Heatherwick called B of the Bang.

It is sacred
The moment Before
Nothing exists except
     The Breath
     The Energy
     The End Point

The Breath
     Controlled, focussed – anchoring the Now

The Energy
     Coiled, straining – aching to break free

The End Point
     One hundred meters ahead – not far at all
     And a Life’s ambition away

The Silence holds…holds…

And then…

IGNITION

PAROXYSMofMovementDETONATIONfreesHungerHungerPROPELSbody.
ChemicalsMusclesCOMBUSTInfinitudeofMinuteReactions
FueltheDrivetheThirsttheCravingforSPEED

Tenseconds.

Almostbeforetheecho of the starting Blast has f a d e d 

It is done.